ON THE BEAT
TAKING SHELTER WITH A SONG
By Richard Harrington
Washington Post Staff Writer
Wednesday, November 2, 1988
; Page C07
That '60s-style activism can still have resonance in the '80s should be
borne out by a concert Sunday night and a march Monday morning. On Sunday, the
Bayou will host the D.C. Homeless Musicfest, a benefit for the Cityscape
Theatre Project. CTP is a partnership of the local performing arts community
and the homeless created by Carol Fennelly of the Community for Creative
Non-Violence. The goal is to raise funds to renovate an auditorium adjoining
the new CCNV model shelter; eventually, that theater will be the base for arts
workshops for the homeless (with a special emphasis on helping homeless
children) as well as a free staging area for local artists, who will act as
tutors and teachers. The goals are to raise $1 million and open the theater in
early 1990. Five dance bands -- the Deanna Bogart Band, the Daryl Davis Band,
David Rose, Doc Scantlin's Imperial Palms Orchestra and Sassparilla -- will
perform and there will be a special appearance at 7:15 by Voices From the
Street, the acclaimed homeless performing group.
On Monday, CCNV is sponsoring a march from the Capital City Inn (a welfare
motel) to the east side of the Capitol. It's part of the ongoing Housing Now!
protests and among the speakers are Casey Kasem, Dr. Bob Stock and rapper
KRS-One of Boogie Down Productions, who was living in a New York shelter just
two years ago. There will also be several surprise celebrity speakers. The
marchers will leave the Capital City Inn at 10 a.m. and are scheduled to
arrive at the Capitol around noon. Giving Rap a Better Rep
Incidentally, KRS-One (Kris Parker) is one of a number of rappers involved
in the Stop the Violence Movement (STV), a new coalition of rappers and music
industry figures responding to violent acts at recent rap concerts in New
York. STV was organized to counter the media's quick exploitation of "rap
violence" and urban youth culture, pointing out that questions of inadequate
security, as well as the more important issues of rap's cultural, political
and sociological values, are seldom addressed, particularly rap's antidrug,
antigang and proeducation messages.
STV -- which along with KRS-One (whose partner Scott LaRock was murdered
last year) includes Kool Moe Dee, Public Enemy, MC Lyte, Big Daddy Kane, Ice-T
and Stetsasonic (which appears at the 9:30 club tomorrow night) -- is about to
record a 12-inch single and video, "Stop the Violence"; the record will
include a lyric sheet and a booklet of questions to stimulate classroom
discussion of the record and its theme of black-on-black violence. There will
also be contests with giveaways of books and rhyming dictionaries. The object,
STV says, is threefold: to point out the causes and social costs of
black-on-black violence, to raise funds for the National Urban League's
campaign against illiteracy and crime in the inner city and, finally, to show
that rap can be an important tool to stimulate reading and writing skills of
inner-city youth. Political Party Animal
Tim Eyermann will probably have to wait until next Wednesday to decide just
how high on his re'sume' to place one of his summer jobs: He and his band, the
East Coast Offering, were the official jazz group to the Democratic National
Convention in Atlanta, performing three concerts and an equal number of
cocktail parties. Not that Eyermann's partial to one party or the other --
he's already performed at one Democratic inaugural (1977) and one Republican
(1981). Tonight, though, Eyermann and his band will be playing at Blues Alley
for the first time in six years and, while they're there, recording a live
album as well, with Omega Studios doing a digital recording. This is the 14th
year for the East Coast Offering, which Eyermann started as an analogue to Tom
Scott's L.A. Express. Like Scott, Eyermann is a versatile
multi-instrumentalist (alto, soprano, and tenor sax, flute, piccolo, clarinet
and oboe) exploring contemporary jazz fusion. His current band includes Dan
Reynolds on keyboards, Bill Foster on bass, and George Suranavich and Andy
Hamburger on drums. Wavy Gravy's Comedy Groove
Good ole Wavy Gravy's new comedy record is called "The '80s Are the '60s
Twenty Years Later: Old Feathers, New Bird," and the counterculture figure
will try to show that not only his math skills are sharp at the Roxy's "Nobody
for President" party on Monday. That happens to be the name of one of the cuts
on the album; others include "Green Acid at Woodstock," "United States of
Chicago," "Livermore or Less" and "Bubbles for Buddha." Joining Wavy Gravy
(Hugh Romney) are the Vicious Hippies and the Jello Boys. On Tuesday, d.c.
space will hold a Post Election Blues Celebration, a night of free poetry,
storytelling and music by Carolyn Ely, Zack, Thomas Squip & Foodhead,
Esmeralda, Fabulous Ace Kilgore, Malcolm Riviera and others.
And on Wednesday: Joey Ramone will host the "Cream of the New York Scene"
at the Bayou. Ramone has been doing similar duty in the Big Apple, but this
marks the first time he's taken his acts on the road (he'll emcee, deejay and
then join in for the finale). The bands on display: Stotts (featuring former
Plasmatics guitarist Richie Stotts), Raging Slab and Cycle Sluts From Hell.
Articles appear as they were originally printed in The Washington
Post and may not include subsequent corrections.
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